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An original Xenomorph creature head from the production of Ridley Scott’s Alien (20th Century Fox, 1979), from the Carlo Rambaldi Archives.
This Xenomorph head is composed of a fiberglass material, polyester resin, and includes a clear acrylic dome. The main structure of the head has been spray-painted with lacquer and acrylic paint to resemble bone, and features matte black components. The head has been mounted to a base for display purposes.
This head casting was fabricated by the famed Shepperton Design Studios from an original design by Academy Award-winning artist H.R. Giger, and featured hand-applied make-up effects enhancements by three-time Academy Award winner Carlo Rambaldi. Rambaldi was also engaged to project the mechanical retractable mouth of the Xenomorph head.
This exact head can be seen on the set of the film in various vintage black & white photographs taken during the production phase of Alien at Rambaldi's effects lab. This photo shows the head coated in a slime-like substance, indicating that it was likely used to test different special effects techniques to achieve the effect seen in the final production of the film. This prop was photo-matched to on set photos of Carlo Rambaldi working on the head during production. The slime, the broken tubing, the uniquely cut neck and other details match these photos provided by the Rambaldi Archives. Comparison side-by-side photos are provided showing the on set photos compared to the pre-restoration photos. During the restoration process completed in 2023, the slime features were removed to restore the prop to its intended film appearance.
This original Xenomorph head casting has been fully restored by the expert team at Blok4, who’s highly detailed process has preserved this piece for years to come. The team began by stripping and cleaning the Xenomorph head of its post-production applied visual effects in the form of paint and debris. Blok4 then began recreating from another original production example important snap clips for minor components that were missing or that needed to be replaced. Using a skilled fiberglass craftsman, the team was able to strengthen the integrity of the head and repair the worn interior. After the repair stage had been completed, the head was then sanded and spray-painted, closely following the original design direction from the film. Also added during the restoration was a new clear dome, also cast from an existing original production used example.
This Xenomorph head, which was cast during the production of the film, was referred to by Rambaldi as a “Long Shot Head."
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